What I have learned from The Wanderer:
1. Dilettantes and aesthetic theories are like martinis and road trips: they don't mix.
2. Never overvalue a secret.
3. If you must make your fiction a platform, show don't tell. Philosophic debates between two characters worked for Plato, but he wasn't writing a novel.
For those hardy few who are still reading despite the barrage of Burney responses, rest easy: new and better texts are on the horizon.
1 comment:
Woo hoo! NB, lessons number 1 and 2 could apply equally well to Radcliffe's (also interminable) Mysteries of Udolpho, with the extra caveat that, if you're going to overvalue a secret, please don't forget by the end of the novel what that secret is.
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